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The music of Igor Stravinsky fills the room, dancers move and Apollo is taken up to Mount Olympus in a carriage. He comes into his powers through the Muses of Dance, Poetry and Mime. The moment is ...

The central part in “Apollo” (1928) — the oldest George Balanchine work that the company performs — is one of the most difficult male roles in the repertory, requiring athleticism and dramatic depth.

In her acceptance speech, she talked about the significance of The Apollo, especially as a Black dancer in a white-dominated art form, ballet: It’s amazing to be here in Harlem, to be in this house.